I don’t, but I did: write poems. I was inspired over the Labor Day weekend, with a few images from Cedar Ridge and words from his family. So here it is, in memory of.
by Kathy Rhodes
In the Farm Kitchen you stood pouring
Coffee into a Montana blue pottery Pollard Hotel mug
You got the summer we went to Red Lodge, then
You turned and took a step to the dark-wood window
That framed a view of the back pasture
Covered in morning mist and fog from Fountain Creek
Shimmering under new sun.
Not far inside the gate a gray rock rises up like a monument
Sculpted sharp at the top in a point to the skies far
Above the evergreens on Cedar Ridge.
Grass grows high around its base where horses grazed
And nearby, our writers group met at a fire pit on fall nights
For roasting hot dogs with coat hangers and reading our stories by flashlight.
At the window, you’d often flip open your cell and call:
“If you got a minute, I got somethin’ to tell you.”
You—part rube, part scholar—loved that place, that pasture, that rock,
And you’d speak of
Three brave deer that came up to the salt lick right by the horses or a
Rafter of turkeys strutting by as the farm cat paid heed or a
Cooper’s hawk glaring, or a red-headed pileated woodpecker, or a
Hound named for a Shakespeare priest’s daughter watching deer eat grass, or a
Doe and her fawn that stood in the mist by the rock and looked at you in the window.
Now you are scattered out there about that rock,
Looking in the window like the deer,
One with your land on the ridge,
In the dew-sparkle on blades of grass,
Under late summer sun turning leaves to gold to fall and blanket you,
Looking up at blackness of sky and twinkle of stars like fireflies, and
All day every day for all time, you remain at the rock,
Looking in, keeping watch on that log cabin built strong and sturdy to stand up
Down the generations after you,
Protecting all within.
AUGUST 1944 – 73 YEARS AGO – ANNE FRANK WAS FOUND BY NAZIS IN SECRET HIDING PLACE IN AMSTERDAM, SENT TO A DEATH CAMP
“Despite everything, I believe that people are really good at heart.” ~ Anne Frank
The Diary of Anne Frank. I read it every year as a teen. I was a post-war child, born of a father who fought against the atrocities of Adolph Hitler in Europe, ended up at the base of Hitler’s Eagle’s Nest, and spent a year in Garmisch-Partenkirchen, two hours from Hitler’s mountaintop retreat in the Bavarian Alps.
I was fascinated by the genre, by the first-person voice of a girl my age recording real-life experiences. As a college student, I went to Amsterdam and took a tour of Anne Frank’s house with its secret annex and hidden staircase. I remember the swinging bookcase and the stairs up to the secret room—narrow, steep, and dark. I remember walking around in the large room that hid Anne and her family. It was filled with windows letting in sunlight when I was there. It was hard to picture that once, the windows were blacked out for secrecy and protection. I stood at one window and looked out at the city teeming with people and life. The most meaningful image was that of a church steeple.
If Anne could’ve looked out that window, she would’ve seen hope and help.
The steeple image has stuck in my mind for almost five decades. I’m now trying to make meaning of it.
It’s the Westerkerk, the West Church. Rembrandt was buried there in 1669. It’s old. It’s a church with a steeple that towers above the city, marking its location so people can find it, pointing upward, and portraying its purpose as a place of God, of believers, of love, of hope and help.
The steeple serves as a visual testimony to all who walk in its shadow.
What happened in the shadow of the steeple seven decades ago when Anne Frank was a twelve-year-old?
There were surely good and God-loving people in the church. As they sat under their steeple, surely, they sang, prayed, took of the Body and the Blood. And then what? When they walked out the front doors, on the sidewalks by the canals, to their homes in the shadow of the steeple, did they live out the church’s mission, their mission?
When I read Anne’s diary as a young girl, my underlying thought was of the people, the good people, who let this happen to her. I mean, how could they? Why didn’t they do something? I realize some did help—provided protection and a path to fleeing the insanity that was. But many did nothing.
Were they unaware? Were they afraid? Of taking a stand? Of carrying out the church’s mission? Did they hide in the shadows?
Ultimately, young strong men—soldiers, like my dad—from other countries were called in to save them from the madness they’d allowed.
Life experience has taught me that good people are mostly silent. It’s easy, better that way, more acceptable to stay quiet in the darkness, to align with similar others, to hold inward vigils, and to excise those who stand out of the shadows.
Anne’s is a tragic story, because hope and help never came.
This is the first summer I really don’t care about growing things.
I’m tired of growing things. Tired of trying to keep the weeds out, worrying about pests and infestations, Japanese beetles, poor soil, mockingbirds and towhees that fight over the blackberries, and possums that come to watch the ripening of the muscadines. Do you know that I have old pantyhose hanging outside on the blackberry vines next to my fence? Yes. I do. To scare away the birds. I didn’t pick enough berries this summer to make a cobbler. The birds got them all. And last night when I took Heidi out before bedtime, there was the possum sitting on the second shelf of the baker’s stand on my deck, as he did last year, come July. He tried to hide his head behind the church birdhouse he was kneeling beside.
I’m tired of fighting nature. You can’t win. Things are going to grow where they are not supposed to. And things that are supposed to grow, don’t. I look at the six tomato plants I set out in April. There’s not one single yellow bloom. The pole beans are running amuck and flowered out in red and I’ve harvested one bean. I’m too old for this. And too tired.
I clear the weeds out of the beds, and they’re back in a week. I can’t get a grip on this. And the Bermuda grass—that awful spreading stuff—will eventually cover the whole house. I just know it. I can’t tame my yard. I just can’t. Not anymore.
This is the first summer that in June, I’m ready for winter. I look out at my yard and think only of preparing it for cold. Defining the flowerbeds in a downtime when things don’t grow and take over. Fresh mulch to sit under snow. No vegetables to wrinkle up and host bugs and mold and leaf rot.
I’m ready to ditch it all.
Memorial Day has come a lot closer to me this year. I will shed some tears on Monday, a day we remember and honor those who died in service to our country. But what about those who die later as a result of their service? Like Neil.
I helped Neil get his book Brothers, All put together and published. He was writing individual essays about his service in Vietnam—the funny things, the foolery of young boys, the hard stuff, the loss, and the fighting. Then he was diagnosed with lung cancer. We didn’t know how much time we had.
This was a big deal for me. My dad was a WWII veteran, and so was my mother, but over the last fifteen years, getting to know Neil, who volunteered early in the Vietnam War and observing his patriotism with no regrets and a conviction that he would do it all again, changed me. At the time he served, I was going to senior prom and being elected class favorite and going to senior parties with my friends and boyfriend and starting college—innocent, immature, and safe. He and other boys like him were off on the other side of the world, instantly becoming men with that first indoctrination to war.
I can’t explain the feeling I had when I read Neil’s chapter about Agent Orange, a powerful chemical defoliant used by the US military to clear the jungles and expose the enemy. Neil didn’t mention the chemical’s name in the text, but I knew, and I also knew that he consumed the chemical in every way that one can receive a substance into the body—through the skin, the mouth (drinking), the eyes (open under water), and the lungs by inhaling. Agent Orange is known to cause lung cancer.
“The next morning we had our orders to push on twenty clicks to the east, where Intelligence said there was likely VC troop movement. I started out as point and noticed after a ways, the going was somewhat easier. The jungle was as dense as ever, but some of the leaves were lying in the dirt, the rest bent and drooping, like a slow motion death bow before us as we passed. I still slashed at it with my machete and crawled on top of the withered greens.
I didn’t pay that much attention to it until Preacher, behind me, said he saw it, too. “Even in the dry season, I’ve never seen the jungle fold up and quit, and it kind of looks that way, doesn’t it?”
Preacher was on point and passed the word back that there was a small creek ahead that would be good for canteen filling and baths. We secured the area and in turn went to the water four at a time. I was in the first group. We gathered all the canteens. None had names on them, but it didn’t matter. Drinking after each other was not a worry, considering the other things we endured. I put the wire screen in the mouth of the first canteen to keep out the big stuff. Then I held it under, sideways, with half the opening above the water and watched it suck in its fill. I capped the canteen and tossed it in the full pile.
After the last canteen was filled, I stripped and sat down in the knee-deep creek, careful to be within a few feet of my rifle on the bank. With a cupped hand, I scooped the water and sloshed it on my face several times, then lay back and put my head under. I opened my eyes and looked up at the sunlight that danced silver lines on the water. Quiet, it was totally quiet. Nice to have quiet. Then I splashed up, and the first thing I saw was the contrast of the orange Dial soap I held in my hand against the green growth that surrounded me. I rubbed the Dial on my body, as foamy as I could, then I washed hard all over.”
Thus was Neil’s exposure to the chemical that would take him down fifty years later. The enemy planted itself, lurked, and waited, then ambushed, was surgically removed and chemically attacked and burned, only to return again and again and again, on a mission and determined to win.
“It is the cancer coming back and building in me that I can’t get away from. I figure this hole will be my grave.”
And it was.
Neil died January 31, 2017. That last day I sat with him and counted time between his breaths: One Mississippi Two Mississippi Three Mississippi Four Mississippi, as the morphine drip silently flowed and his beloveds and his writers group sat in wait. The experience of being immersed in the stories of this book and with this man who ultimately sacrificed all because of service to his country has taught me what it’s like to be a “brother” and what this special day means.
It’s not a holiday to start summer. It’s a day to remember those who don’t take breaths anymore because they did once, and once they carried a gun and crawled through jungles or across beaches and were fired upon, sometimes by a visible, sometimes not visible, enemy.
This year, remember a veteran. If you don’t have one to remember, think of Neil. His book lives on to help veterans; all proceeds go to veterans in Maury County, Tennessee.
I’m writing this post because this message hit home yesterday. An editor can usually tell within the first page or two if a manuscript is good or acceptable. A novel’s first pages encapsulate much of the story and establish character, setting (time and place), voice, pace, and even audience.
I started my novel a while back and wrote it piece by piece–a piece here, a piece there, knowing the pieces would need to be shuffled around and reworked. I started in a mysterious tone. I really liked it. But, alas, it didn’t work.
Actually, I broke all the rules. So I spent yesterday killing words.
There were words and paragraphs and chapters that I loved. The wording was precise and exact and descriptive and I thought, um, beautiful. But I killed them. I can easily kill the words of other people when I edit, but it was really hard to kill my own. I’ve done this before to my own work, but never, ever this much.
Do you know how it feels to kill words? (Maybe, just maybe, you should.)
After killing words, I like the new chapter. I think I’ve created a platform, a story opening, that I can jump into the depths from and swim across the pages.
So if you are wondering about your own manuscript, I can not only help you kill words and get the opening right, but now I can really and truly sympathize and empathize! We’ll cry together, hug, and then be happy! Check these things in your own novel opening that you may need to address:
- Do you open in scene? Some manuscripts open with interior thoughts of the characters or with description of the place. Ask yourself: is anything happening?
- Do you give too little information? Some manuscripts attempt to create a sense of mystery, but in doing so, don’t give the reader enough information. Some manuscripts don’t make clear what is happening or the importance of what is happening. Ask yourself: do you make clear where the characters are and what is going on?
- Do you give too much information? Some manuscripts start with pages of backstory or description or flashbacks. As an editor, I’ve killed five to fifteen opening pages of different manuscripts. (It’s easy when it’s not my own!) A reader only needs enough information to understand the scene in progress.
Good and successful manuscripts are well-balanced with action, motivation, a little description, and some thought. They begin with a main character in a scene with an immediate goal to achieve. They pull the reader in to turn the page and see what happens next.
TurnStyle helps with the editing of full manuscripts, but also with first chapters. Let us know if you need to make sure you are on good footing in your opening!
Irises have rich historical meanings, and when given as gifts, they convey deep sentiments: hope, faith, wisdom, and courage. The flower takes its name from the Greek word for “rainbow.” Another Greek word, “eiris,” means “messenger.” The Greek Goddess Iris acted as the link between heaven and earth. She delivered messages for the gods and from the Underworld and traveled along rainbows as she moved between heaven and earth. Purple irises were planted over the graves of women to summon the Goddess to escort the dead on their journey upward into the afterlife.
I like to think this is symbolic and that the flower also inspires us with courage to rise up and reach out above our darkest times into growth and newness of life.
The purple iris also denotes royalty. During the Middle Ages, the purple iris was linked to the French monarchy, and the Fleur-de-lis design, inspired by the flower, eventually became the recognized national symbol of France.
The iris is also the state flower of Tennessee.
I have iris rhizomes from friends in Tennessee, from my grandmother’s farm in Mississippi, from William Faulkner’s house, Rowan Oak, (white cemetery iris) in Oxford, Mississippi. I dug up some irises from my old house in Fieldstone Farms and brought them to this new house on the hill. They fill in my landscape with their showy spikes and their flowing, silky, spring colors. I am surrounded by hope and faith. By wisdom. And courage.
The iris provides the perfect cover image for Editor Susan Cushman’s anthology, A Second Blooming: Becoming the Women We Are Meant to Be. My essay, “Pushing Up the Sun,” is included in this new book, released in March 2017. The flower is soft, delicate, in a silky, flowing design—feminine. But you better believe she is hardy, and no matter what she faces, whether being pounded by snow, rain, or hail, being slept upon by rabbits or stepped on by children or mowed down by a careless landscaper, she comes back. And she comes back bigger and stronger. Every year, those spikes strengthen and rise up and reach high, producing wrapped blooms that grow tall and open into flowers, repeating in second bloomings, and more.
What a perfect gift of hope and faith and wisdom and courage for Mother’s Day! And a book signing for this anthology will be held at Barnes and Noble Cool Springs in Brentwood, Tennessee, the day before. May 13, 1:00. I welcome you to come! Susan Cushman, editor, will be there. River Jordan, local author and contributor, will join us.
And a big shout out to Barnes and Noble — the best book store a local author could hope for!
I hiked two miles yesterday on the freshly mulched trails of a Class II Natural Area, saw native wildflowers in white, pink, and purple, saw birds, frogs, turtles lined up on logs in the lake, snakes swimming, and chipmunks jumping around. The color green across the forest floor was new, fresh, and yellowy. The pitch of bird sounds was high and expectant. It is newly spring, when cycles begin again. Life comes around every year.
The last short segment of the hike was on an old road, closed to driving and crumbling at the edges into the lake. The center line spoke to me, and I snapped a picture.
Old road surface, rough, hard, harsh, cracked, hidden under thick trees, away from sun and light, always dark there, always, no light gets through, not ever. Yellow line at the center of the path to follow home. Straight, unlike life. And jagged, winding cracks have opened up all down the line splitting the yellow paint, itself marred and chipped away. Life finds a way up through the openings in the gray. Tender new green, fragile, flowering, pink, finds a place in the hard, cold road. Keeps doing it every year, coming back, coming back, coming back. Even blooming.
Why? What is the purpose? I wonder when it will tire of this.